Category Archives: Entertainment

My Space Chase is on the launchpad

In 1969 Apollo 11 took astronauts Neil Armstrong and Buzz Aldrin to the moon. To celebrate their achievement this summer the Reading Agency’s Summer Reading Challenge is called The Space Chase and this storyteller is on the launchpad and ready for his latest mission.

Space is not new territory for the Summer Reading Challenge. Many moons ago I worked with the Royal Borough of Kensington and Chelsea to devise a piece about reading in a year when the theme was to do with a Space Hop. Back then I mainly worked in east London and west London seemed a million light years away. Today I am pitching to a galaxy of library authorities from Plymouth and Devon to Glasgow and Fife.

This summer I am offering two projects to libraries.

This year I am working with the Roald Dahl Company to present The Enormous Crocodile. The story may be fairly tenuously tied to the theme but I’m sure children everywhere will enjoy finding out how the enormous crocodile became the first reptile in space and I see this summer’s reading challenge as a brilliant opportunity to share this marvellous story.

I am pleased to announce another brand new storytelling presentation developed with the kind permission of Walker Books and in collaboration with poet, author and eater of cake, Dom Conlon. If You Believe… will be a trio of stories told over 45 minutes and suitable for 3-11 year olds including Jonathan Emmett’s Bringing Down the Moon, Simon James’ The Boy from Mars and a specially commissioned story by Dom Conlon The Cow that Jumped over the Moon (working title). In Bringing Down the Moon a Mole attempts to pull down the lovely moon but soon finds out its not as near as it looks. In The Boy from Mars when Stanley’s Mum goes away a not so very well behaved Martian but will Stanley return before his Mum gets home? and when it came to approaching someone to write a story about space, I’m really excited that Dom Conlon, author of Astro Poetica and I will eat the Moon! agreed to work with me; I’m sure he’ll deliver a tale which is out of this world!

So there you have it; four stellar stories for children and families which means another summer of library storytelling is guaranteed to be a blast.

It’s one small step for man, one giant leap for storytelling kind (well maybe)!!

Partying into 2019!

Happy New Year! I hope you had a peaceful festive period and that the post Christmas blues haven’t set in just yet. This Christmas I had a run of children’s birthday parties. They were all so much fun and I’m just bursting with excitement to tell you more about them..

I started with a 1st birthday party in a play cafe in Islington. It was a bit of a tight fit but with shuffling tables (and parents) about we managed to create an adhoc performance space where I led a song, rhyme and storytime similar to the work I do for nurseries and libraries. I did a 30 minute set and tacted on some of my favourite global folk tales (Indian and Turkish) due to the wide age range at the party. Here’s the host feedback:

“I was a bit apprehensive as I had not seen John live however he was brilliant! and most of all the kids loved it just as much as the parents.”

Whilst the first party was fairly straight forward the second party was an absolutely bespoke project as I retold Chris Van Allsburg’s Polar Express for a book loving six year old in Greenwich. For reasons to do with preparation time and the difficulties I can have getting performance rights I decided quite early on that this would be a narrative storytelling (an abridged but interactive version of a far more elaborate story). Rather than just more drama roleplay activities, as it was a party I interspersed the storytelling elements with traditional party games like Follow my Leader, Blind Man’s Buff and Pass the Parcel. Here’s the hosts feedback:

“John managed to take a story we’ve read 1000 times and turn it in to a new and exciting adventure for my son and 20 of is friends. He held the audience of 3-6 year olds throughout and was energetic, innovative and entertaining throughout”.

For the last party I did something really quite exciting and at the same time really quite terrifying; I presented a who dunnit? for nine year olds. The party was held in a Pizzeria in Chingford and the eight guests were seated at a table. I shared a scenario about a missing birthday cake and then cast the guests as characters in the story. And do you know what? The children really got into it. They enjoyed playing the game of detectives and just as importantly I didn’t get thrown out of the restaurant for being a rabble rousing nuisance!

So three parties in two weeks. A very special first birthday, a retelling a family’s favourite story and a risky concept in a restaurant. Each had its challenges but they were a lot of fun and now the parties are over I want to do them all over again.

If you know somebody celebrating a birthday or are looking for party entertainment at affordable rates contact me to discuss how a storyteller can help deliver a unique and memorable event.

The Enormous Crocodile with the Roald Dahl Company

In September I was invited to meet with the Roald Dahl Company in central London to discuss the work I had been doing with “The Twits” over the past two years.  They wanted to know more about my version of the story and we discussed access and how storytelling could help Dahl’s work reach more people.  To walk into Roald Dahl HQ and to talk about stories was one of the biggest thrills of my life.  I had been worried about the meeting having had some issues with the licence earlier in the year but from that very first meeting Roald Dahl team have been very supportive.  In late September a producer from the company came along to watch me perform in north London.  This presentation became the basis for discussing a new project for next year.

“I’ve got clever plans and special tricks.”

I am pleased to announce that in 2019 with the support of The Roald Dahl Company I’ll be telling Roald Dahl’s “The Enormous Crocodile”.  This is a tremendous opportunity to tell a popular, short story by perhaps this country’s most celebrated author and to engage and inspire a very young audience (probably four year olds rather than the six year olds who loved The Twits, Hundred Mile an Hour Dog and The Chamber of Mischief) in stories and reading.  It’ll also be a chance for professional reflection and development as I see inside and learn from a very respected, high calibre creative organisation.  In the coming weeks I’ll be allowed access to some of the Company’s resources as we work up this story and revise my presentation of The Twits.  For the first time since my last theatrical bow in 2007 I’ll be part of a larger creative team which includes Joseph Attenborough as composer, Dan White as artist and excitingly, Amy Hodge who will act as dramaturg, director and co-conspirator.  I can’t wait to get started!

I’ll be launching the story in March and will announce more dates for both The Enormous Crocodile and The Twits in the coming weeks.  If you know a potential venue please tell them about the project.  I’m hoping that libraries and literature festivals will want me to visit to tell this story but I’m also interested in talking to reception class teachers, primary schools and primary academy trusts who feel their schools could be venues for larger multi school presentations and public showings as I try to find new ways of making this story accessible to the most possible people.

I hope this is a story gets everybody excited and that 2019 can be the year of the crocodile!

Postcard from Belton’s Big Book Festival and Loogabarooga 2018

I’d like to start this postcard by apologising for its tardiness; I’ve been meaning to write this down for a while but it’s been a pretty hectic month.
This postcard is from mid October and begins at Belton’s Big Book Festival at Belton House in Grantham, Lincolnshire. To understand how I became involved you have to go back four years to West Berkshire and my work with the wonderful Ann Doody, Rosemary Woodman and the school’s libraries service there. Four years is a long time but I remember the day quite clearly because of a catalogue of unfortunate events. We were due to present Private Peaceful and should all have been very straight forward but I inexplicably missed a train, the taxi almost drove away with my work bag and an accident on the M4 meant we had an epic drive between presentations. It was also the first time I was introduced to the Federation of Children’s Book Groups for whom I went on to write a piece about Dragons.  I worked with West Berkshire SLS again but sadly cuts to services meant that the school libraries service closed within 18 months of my first visit.  I’ll always be indebted to Ann and Rosemary for supporting my work when I needed it most.
Earlier this year I was contacted by Ann again. Now living in Lincolnshire, Ann was working with the Federation of Children’s Book Groups in Lincolnshire, helping to set up a literature festival in Grantham at the National Trust’s Belton House and she’d got in touch to see if I’d like to be involved. Well I don’t mind admitting that this was an extremely exciting invitation. Not just because it would be a chance to catch up with Ann again but because 10 years ago my father had suggested I do something at a National Trust property; a conversation which asi remember it has become a catalyst for telling my first and all subsequent stories. A decade on this would be a chance to fulfill a long held ambition.
The day was brilliant. Belton House in the early autumn sunshine is a spectacular setting and it was lovely to catch up with Ann and Chris Routh (chair of the FCBG who I worked with in West Berks). I had really good turnouts for Dennis and the Chamber of Mischief and The Twits and met lots of people who were enthusiastic about stories, storytelling and books.  Of course disaster was only very narrowly averted. When I set up for The Twits I realised that I’d left Mrs Twit’s walking stick, which I use quite a lot in my telling of the story, at home. Then I had a moment of inspiration.  With a few minutes still to go before the scheduled start and with the audience queuing at the door I legged it to the National Trust’s shop where thankfully they were prepared to lend me a walking stick for the afternoon. Phew!
The next day I was back in the Midlands to be a part of Loogabarooga 2018 (apparently that’s how Loughborough is pronounced in Australia!). Engineering work meant that it was quicker and cheaper to get a bus. Unfortunately the bus stop was outside the university leaving me a fair hike into town admittedly in glorious sunshine.  Loughborough is the home of Ladybird Books and the festival celebrates all things illustration and cartoons so Dennis and the Chamber of Mischief was a natural fit for presentation in their Festival Den although this turned out to be a rather an intimate marquee for my rather powerful water pistols!
The wonderful thing about festivals is that you meet all kinds of people. At Belton I chatted all things babies and houses with illustrator Frank Preston Gannon and at Loogabarooga I was scheduled between Beano cartoonist Laura Howell and author Claire Elsom. It’s very easy to feel inspired when get to rub shoulders with heavyweight talent.
Anyway, it was all done in the blink of an eye and I was back on the train. In years gone by I might have mourned such a successful weekend but these days whilst my work brings me a huge amount of satisfaction I am grounded by my daughter.  It was however an extraordinary weekend which will live long in my memory.  I think the whole thing was best summed up by something I saw writer/illustrator Chloe Inkpen doing. As I was passing her book signing she was posing for a photograph with a young fan but she wasn’t smiling she was beaming.  She was completely right to do so. You see, if at moments like these when all is right with the world we can’t reflect positively on what we’ve achieved and if we can’t savour and enjoy being at the very top of our game then I think that would be very sad.  I look forward to more weekends like this one soon.

Let me shout from the rooftops “I do school visits!”

I have been working as a performance storyteller for almost ten years but before that I was an actor.  I did a few bits and pieces in theatres and went to Edinburgh a couple of times but generally speaking my work was doing Theatre in Education and Children’s Theatre in schools.  Theatre in Education wasn’t quite what I’d anticipated during my classical drama training but perhaps I went to my first TIE audition thinking of it as a way of getting paid for what I’d trained to do whilst waiting for my “big break”.  The way it worked was that after an intense rehearsal period the cast piled into a van and toured the schools of Britain with either an agenda lead piece of theatre or something more light hearted (ie a panto).  The shows were generally pretty short to fit into the school timetable and were often followed up by workshops lead by the actor-facilitators.  Now, you must remember that at this point I am not a lot older than the “children” I am working with, I have no formal teacher training and I can be an impulsive hothead so facilitating felt like being thrown in at the deep end.  It was steep learning curve.  Sometimes we were offering children their first theatrical experience, sometimes we were enhancing their curriculum.  Sometimes the children liked you, sometimes it was very intimidating.  The production values could vary from a enormous rotating sets to a bit of curtain hanged on some plumbing pipe but the creative energy of some of the companies I was fortunate enough to work with is incredible.  I learned a huge amount about working with young people from Chris Geelan at The Young Shakespeare Company, Bill Davies at Blunderbus and Adrian New at Stopwatch Theatre to name a few and 6 days a week on the road soon became a way of life that I am still passionate about today.

After I met Lauren my life had to change and I stopped the acting but I continued to pick up facilitation work with people like Bromley Mytime and Eastside Educational Arts Trust and I continued to learn from people like Naomi Cortes at Almeida Projects and the brilliant Alison Banham at Act on Info.  16 years later I am a far more confident drama facilitator and have developed my own style of workshop which incorporates storytelling, drama games and role play.  The themes of the sessions have varied from the Aztecs and Evolution to Shakespeare and School Transition but I try to approach every session the same way; enthusiasm, loads of games and fun.

Why am I telling you this?  Well, it turns out that when you do 100-150 library presentations a year people forget that you offer school visits.  What once represented 80% of my work now accounts for 35% and in spite of the fact I advertise on websites like findaschoolworkshop.com and schoolworkshops.com I still get asked if I do school work.  I have dropped the ball on what once was my bread and butter and now I’m running to get back into the game.

So let me shout it from the rooftops “I do primary school visits!”.  I offer my assemblies, class group workshops and event day bookings (National Storytelling Week, World Book Month, school fetes, Well Being Days, school library openings etc).  In schools I have worked one to one with children or with as many as 500 children in a sitting!  I have been to schools for an hour I have done residencies.  I can offer traditional tales and published stories including Roald Dahl and Dennis the Menace and I can be as interactive as you like depending on the needs of the group.  I have never written a book but I can guarantee that primary school children will enjoy my sessions and be inspired by my sessions (they may even learn something about writing stories!).

“The whole day was great from start to finish. Working with you has been a pleasure and we were really grateful for how flexible and accommodating you were with both your time and the topics you covered. Speaking to children from across the school after the event itself they thoroughly enjoyed it and are already asking when you will be coming back”.

Literacy coordinator, Wyvil Primary School, May 2018

Schools and school visits have been a big part of my professional life and as the nation goes back to school full of hopes and ambitions for the year ahead it’s my hope that it won’t be long before I’m off to do my first school visits of the new academic year.

For more information about my work please review my FAQs or to make an enquiry contact me.

 

My adventure with Dennis continues! #dennis2018

In March 1951 Dennis the Menace and his dog Gnasher made their first appearance in The Beano.  Dennis, the trouble making school boy who terrorised his arch enemy Walter, proved popular with readers and soon became the Beano’s most famous character and their longest running comic strip.  As the world has changed so too has Dennis and as he approaches 70 years old Dennis, with his trademark black spiky hair and red and black striped jumper, is now more than a comic book hero, he’s a British institution.

In the summer of 2018 Dennis and his Beanotown friends supported The Summer Reading Challenge; a national reading scheme encouraging children to read in the school holidays and I presented Nigel Auchterlounie’s “Dennis and the Chamber of Mischief”.  To date (this blog was written in August 2018) my retelling of the story has been heard by almost 3000 children in public libraries across England.  The response from audiences and librarians has been overwhelming:

“Fantastic, lively, creative and entertaining storytelling.  Brilliant way of encouraging children to get interested in books.” Audience member, Nottingham City Libraries

“It was excellent.  A good balance of performance storytelling, great support for reading and literacy skills development…  The high level of participative activity ensures sustained engagement and enjoyment.”  Librarian, Derby City Libraries

Children have really enjoyed hearing about Dennis, joining his adventures and tackling the challenges of the Chamber of Mischief.  They have left our sessions buzzing about reading and the potential of books.  The response in cyberspace has been equally positive with lots of parents, grandparents and libraries taking to social media to share photographs and feedback using the #dennis2018.  It may have been a long, hot summer but Dennis has made it very enjoyable.

Now, with the kind support of Bonnier Publishing, I am pleased to announce that this storytelling session is to be made available for school assemblies and events.  For the next ten months teachers will be able to introduce the zaniness of Beanotown to their classes as Dennis helps us encourage and inspire a love of reading.

Nigel Auchterlounie’s “Dennis and the Chamber of Mischief” is published by Studio Press and is available through all good bookshops and public libraries.  If you are interested in my retelling of the story I will be visiting Bolton Libraries and participating in the Loogabarooga Festival in Loughborough during October.  If you’d like Dennis and the Chamber of Mischief to visit your school or event contact me.

A storyteller in search of a story

Aspects of this blog are superseded by A Twit Update and My adventure with Dennis continues!

So this week it has been confirmed that I can no longer offer Roald Dahl’s “The Twits”.  It’s a sad day but not totally unexpected.  Over the last two years I have presented this marvellous tale on almost 200 occasions across England and then in Wales, Scotland, the Channel Islands, Germany and the United Arab Emirates.  It been the most wonderful period and I’ll always be thankful for the opportunities my brief association with the Roald Dahl Estate created.  I will miss sharing what I consider to be a terrific story.

Knowing when to archive a story is as much a part of the creative process as developing the project in the first place.  Telling stories is a lot of fun but the bottom line is that a storyteller is a small business and once a client has seen your entire repertoire the opportunity for a future booking is greatly reduced.  Changing up material helps a storyteller’s repertoire remain fresh and the teller themselves remain energised but it can mean making some tough decisions about old or “well loved” material.

Over the years I have mothballed many projects for many different reasons.  Some decisions were forced upon me because of licencing issues (Private Peaceful and The Twits).  Some stories were very enjoyable to deliver but I found that my style had evolved in a different direction (The Mad Hatters Tea Party!, Dracula and the Unlucky Mummy).  Some stories were shelved because of a lack of demand or, in very rare cases, because what I did with them wasn’t very good.  In some cases when it hasn’t worked or I have been sick to the back teeth of a story I’ve managed to salvage something by finding it a new lease of life.  I don’t mind admitting that I didn’t like Anansi the Spider and the Stories of the World until I significantly altered the way I was telling it so that I was more comfortable with the material and it now sits amongst my favourite projects.  Generally though, if no one’s laughing anymore and the applause is polite rather than enthusiastic it’s probably time to let a story go.  After almost 200 presentations, as much as I love telling The Twits, I think the project has reached and exceeded its end point.

So what next?

My current project Dennis and the Chamber of Mischief will occupy me into the autumn but I am already aware that Beano Studios have another party interested in the book so I have no plans to make it available for schools presentations.  Instead I have been working up two new projects; Band of Brothers: the story of three Lions, which explores The Great War through the stories of three young men who fought it and It’s all Greek to Me!, in which I delve into some of the stories of Greek Mythology’s heroes.  I’m also toying with the idea of bringing Beowulf Sleeps back into my repertoire.  This was a project I did for a school three years ago.  I didn’t take it further at the time because it was at odds with the way I was then telling stories.  This autumn, as I move in a more traditional storytelling direction, I feel that it would sit nicely within my revamped repertoire.  I will of course continue to offer my usual array of folk and fairy tales, myths, legends and Shakespeare but beyond that I am really looking for the next challenge.  What that will be is a mystery right now but I hope that a famous author or publisher will have taken notice of what I do and offer me a title I simply can’t refuse but I’m not holding my breath!  In the meantime I can look forward to Mr Twit’s farewell party to be hosted on Saturday the 20th October 2018 as I take part in one final reading festival in Grantham being hosted by The National Trust.  When one door closes…

My work with EYFS (Early Years and Foundation Stage)

Telling stories to under fives is so very very important.  If we can convince a child early on that stories are magical then perhaps we make them a reader and maybe we change their future.  That isn’t to say it’s easy.  After I quit my day job and decided that I was going to tell stories for a living I was prepared to do pretty much any job that came my way and when local nursery school invited me to do 30 minutes with them every fortnight I jumped at the opportunity.  Now, I have worked with all kinds of different challenging behaviours, children with profound complex needs and even teenagers but these sessions with 0-3 year olds were some of the toughest I have EVER run.  Having been a father to Verity for almost 16 months I laugh about it now but back then I dreaded these sessions because I felt out of my depth and simply didn’t know what to do.  Spin forward to today and working with under fives is my bread and butter.  I work fairly regularly in EYFS (Early Years and Foundation Stage) settings and have even run staff training with nursery workers and sessions with new parents around telling stories.  I have developed a really solid set of traditional folk tales which go down really well in schools and I am making tentative steps into running under fives drop in sessions for libraries too.

So what’s changed in 10 years?  Well, being a Daddy probably helps- fatherhood has taught me many things including patience, understanding and being more adaptable– but mainly its about recognising the different ways that children learn and play.  When doing drop in sessions and nursery sessions I have a set format for delivery so if I am doing a regular set the audience know what to expect.  I will vary the pace of a session by incorporating different activities, games, songs and rhymes as well as stories.  I pack my storytelling with movement and the opportunities for the children to participate through repetition and instead of just using words I’ll use sounds, songs and rhymes to make the narrative more accessible and fun.  My acting career is a distant memory but I still sometimes deliver in role to enhance the experience and bring a different dimension to the sessions.

“Younger children’s attention span is not the same as older children. John knew exactly how to engage very young audience whilst telling the story and most children enjoyed being involved in the story. What impressed me most during story telling was that one baby about 7 months old was so mesmerised by John’s storytelling and her eyes were glued to him the whole time!” (Librarian, Northamptonshire, June 2018)

Once upon a time I was terrified by the thought of telling a story to a room of babies.  My confidence has grown because I have gained experience from working in the environment and learning from talented early years professionals and the children themselves.  There’s one word that sums up telling stories to Early Years and Foundations Stage children: joyful.

Working with Rebecca Hutchins #dennis2018

You’ll remember from a very similarly titled blog about my relationship with Dan McGarry, that I met Dan through his wife Gemma, a friend from a past theatre production.  Well to explain how I know Rebecca Hutchins I must first take you back to Bromley and the summer of 2008.

In those days I was still a council temp moonlighting as a drama facilitator.  Through an organisation called Bromley Mytime I became involved in a secondary school transition project in which I ran drama workshops on a double decker bus.  Every day I would work with different groups of 11 year olds and we’d play games around the idea of using public transport safely.  There were a lot of people involved; the Police, the Bus Company and some young volunteers.  One of them was Paul Valentine, then an enthusiastic twenty something.  Paul and I stayed loosely in touch and he assisted me on some workshops before he went off to drama college.  Spin forward a decade and the producer of the same production of Alice’s Adventures in Wonderland I met Gemma through recommends me and Mr Barry Evans to stage Wind in the Willows for a Cambridge University.  Its quite an undertaking with both Barry and me calling in favours from old friends to make up the cast.  Remembering Paul I rope him in as Badger and he recommends Rebecca.

Rebecca Hutchins is one half of Cat and Hutch, a children’s theatre company that use fantastic puppets to tell stories.  Watching her during the Wind in the Willows project, I was struck by her ability to work with the very youngest children (not all actors can do this so naturally) and also by her enthusiasm.  I asked her to get involved in delivering storytelling sessions for me and it turns out she is great and has had some really positive feedback from schools.  Up to this point I had only ever approached Rebecca about term time projects but due to unprecedented demand she has agreed to deliver Dennis and the Chamber of Mischief during the summer.

When I first set out to present a Beano story I had an ambitious dream that I would create a presentation which would be toured by three people; Dennis, Minnie and Gnasher if you like.  Bringing Rebecca on board we are indeed triumvirate of storytellers and we are working with some 34 library authorities between June (next week – eek!) and October – as well as libraries I’ve been visiting for five years there are a number of new ones on the list and in some instances it’ll be Dan or Rebecca who have to impress the new authority rather than me.  I am utterly thrilled that this year particularly we have a lady as part of the team and a very talented one at that who’ll no doubt bring a different dynamic to the story.  I am also pleased to be able to continue to offer younger storytellers a platform to hone their skill.

Rebecca Hutchins will be presenting Dennis and the Chamber of Mischief

@ Weymouth Library on 10th August 2018

@ Camden Libraries on 16th August 2018

@ Luton Libraries on 23rd August 2018

(Check the calendar for other dates)

Postcard from the Wee Write! Festival 2018

I love Scotland.  I don’t really know why.  Perhaps it’s because we went there a lot on our family holidays or because of the happy times spent at Edinburgh Festivals in the early noughties.  Maybe it’s the accent or simply because I don’t have to spell out my surname to Scottish people but I have always had a soft spot for the place.  Anyway, the last time I worked in Scotland was on a schools tour almost fifteen years ago.  I have been trying to find a way of working there again ever since.  Earlier in 2018 I thought I’d cracked it; I booked dates for the summer in Moray, Angus, Fife and Dumfries and Galloway but the plan was scuppered because of my family commitments.  Then came The Beast from the East hit Britain.  It caused chaos and lead to the postponement of the Wee Write! Festival.  Determined to do something for young Glaswegians the organisers managed to pull together a wonderful programme of activity in just a few weeks.  I hadn’t been originally invited to participate but when I was contacted I didn’t think twice – I was Ton my way to Scotland!

“You take the high road and I’ll take every form of transport known to man, and I’ll be in Scotland before yee (maybe)!”

The thing about living in London and working in Glasgow is it’s a very long way and travelling on a Sunday is not easy.  So my day begins at 3.45am (you haven’t misread that) as my alarm goes and I hop in the shower having spent the night sleeping on Verity’s play mat in the living room.  I creep out of the house, terrified of waking her particularly as we’ve been camping this week and her sleep is all over the place from spending the night in our van.  By 4.10am I’m at the tube station.  I have used the night tube once before but never in the very depths of the night.  As a train geek this is brilliant fun and I’m excited to see that a service runs every 10 minutes through the night.  When the tube arrives it’s pretty empty but it soon fills up with people heading home from their nights out or, like me, to the airport.  When I reach Victoria I stroll along Buckingham Palace Road arriving just before 5am.  I try to talk my way onto an earlier bus but I’ve got no chance – all the buses from Victoria Coach Station have been fully booked from 3am because there’s no other way of reaching Luton at this time in the morning.  No worries, I wander back to Greggs for a sausage roll (yes, Greggs is open before 5am in Victoria Coach Station!).

At this stage I am not worried at all.  I have selected a bus which will get me to Luton in good time for my flight.  I had foolishly bought a rail ticket only to discover that I’d miss check in by a minute if I used it so as the bus gets underway I’m feeling pretty smug.  I read my book in the dawn light as we loll through the empty London streets.  Looking out the window the dew in Hyde Park gives the grass a very eerie appearance.  Everything is going fine until the bus suddenly stops.  The driver informs us that a joy rider has crashed a car and abandoned it in the middle of the road.  There is nothing on the road and the bus is still stuck.  The minutes are now ebbing away as the Police arrive and inspect the vehicle.  I know that they are working as fast as they can but as they check the vehicle over I am wishing they’d just find the hand brake and clear the road.  The bus finally gets through and we arrive at Luton Airport ten minutes late.  I have just enough time to check my bag before jogging through security and onto the the plane.  An hour later I am reunited with my bag and am queuing for a transfer into the city of Glasgow.

I have only been to Glasgow a couple of times but the central area has never struck me as being that big (it is however very hilly particularly if you misread the google map and go up the same hill twice!).  I finally find the Mitchell Library.  The Mitchell Library is one of the largest libraries I have ever been in and it has a beautiful early 20th century exterior.  Today its grandness is somewhat overshadowed by the fairly busy dual carriageway it sits next to but as I go inside and see the gathering crowds it is clear that the Mitchell Library is a much loved community asset.  Having said my hellos I make myself scarce for a while.  I take a turn along Bath Street and Sauciehall Street toward Buchanan Street stopping off to see the Duke of Wellington’s traffic cone hat before heading out onto the river Clyde and meandering via BBC Scotland back to the library.  It still pretty early and the city has a very relaxed feel about it; the city is awash with colour with everybody wearing either Celtic green or Race for Life Pink.  When I get back to the library the place is buzzing and there’s a very friendly atmosphere; there’s cartoonists leading master classes, toddler story times, a science workshop and people hanging out in the cafe space.  The children seem to be having a high old time.  In the foyer as I listen to the Seussical Musical it’s easy to forget that I am here to work.

Finally my moment arrives and I’m ushered into in the 400 seat Mitchell Theatre.  This venue has seen some seriously big names play on it.  I am doing a demanding double bill of “The Twits” and “The Hundred Mile an Hour Dog”.  The presentations go down well.  The audience seem to enjoy “The Twits” but it’s trickier to tell with Streaker.  It’s quite quiet in the auditorium for both stories as the crowd give very little away.  I worry that my brand of chaos seems to be getting lost in the vast auditorium and that I’m not getting up my usual momentum but there are still queues at the end of each session for photographs and lots of positive feedback.

Then as quickly as it all began my participation in the festival is over.  By 4.30pm I’m back on the street and after another couple of hours in Glasgow city centre its back to the bus stop and off to the airport only to find my flight has been delayed (it’s now nearly midnight and I’m still not quite home).  There are signs all over the city reminding its inhabitants that “People make Glasgow” well I will certainly remember the people who made my Wee Write! Festival so memorable and I am very grateful to the organisers for their hospitality and the audiences for supporting my work.  Its been a crazy day but it was a pleasure to have been part of a very special event in a very special city.