Tag Archives: National Storytelling Week

My life on the radio

So after my appearance on BBC Radio Kent I was asked by the show to create a short feature on my working day, storytelling and national storytelling week. So on Friday 1st February 2019 I took my stories and a mobile phone voice recording app to Park Way Primary School in Maidstone where I was given the opportunity by the school to talk to some of the children and their teacher about stories, storytelling and their importance. The piece was broadcast the same evening after the host had interviewed no less than Michael Rosen(!).

I’m very pleased with the piece we’ve made for several reasons..

  • I was able to articulate why I believe National Storytelling Week is not only important to storytellers but why it should be important to all of us.
  • The teacher and children I interviewed cut to the absolute heart of why stories are wonderful and why storytelling has a place in all schools.
  • From the piece you get a real sense of how I work and why I love it.

It may be short but to create this piece of audio took a lot of work as I became storyteller/journalist for the day and I am indebted to the children and staff who participated and to Dominic King at BBC Radio Kent who edited it.

I hope you enjoy listening to it as much as I enjoyed making it.

John Kirk is a storyteller working in schools, museums, libraries and at events across the UK. For more information explore this website or get in contact.

Interview with Andy West on BBC Radio Kent (29/1/19)

On Monday 29th January 2019 I appeared on Dominic King’s Arts Show on BBC Radio Kent where I chatted live in the studio with Andy West about my career, stories, storytelling and working with young people as BBC Radio Kent marked the beginning of National Storytelling Week.

As with so many things I do it was all over very quickly but I absolutely loved taking part in the show, meeting the production team and seeing how a live radio programme is made. Having never appeared on the radio before I’ll admit to having been nervous beforehand but Andy West was a lovely host and generous interviewer who made me feel very welcome which helped me relax into the situation. At home I have listened to thousands of radio interviews but the experience is very different when its you giving the answers. I tried very hard to think about the questions and not how I was sounding. The whole thing was so utterly fascinating and exciting and has really got me thinking about the creative possibilities of radio and podcasting for storytellers (nobody can see you waving your hands on radio!) but whilst I’d be thrilled to do something like this again in the future I can tell you without hesitation that on Monday night one microphone was definitely more daunting than an audience of 500 children!

This was also an opportunity to promote the art of storytelling. Storytelling maybe one of the most ancient art forms but its also one of the most underrepresented in mass popular culture with most people associating storytelling with reading and books. The show gave storytelling a platform and me a chance to try to get across to the listeners why I love my job and hopefully enthuse a few people with stories along the way.

My friend Ben Jones, a partner in Preference Studio and responsible for my website intro video, has kindly edited the interview so you can hear it in full without interruptions for the weather and travel.

So here it is, my conversation with Andy West on BBC Radio Kent. If you listen to the whole thing, get in touch and let me know what you think.

John Kirk is a storyteller working in schools, museums, libraries and at events across the UK. For more information explore this website or get in contact.

Celebrating National Storytelling Week with BBC Radio Kent

Tune into Dominic King’s arts show on BBC Radio Kent on Monday 28th January 2019 at 8pm to hear me in conversation with Dominic about stories, storytelling and all things National Storytelling Week or find the interview for 30 days afterwards on the BBC website.

It’s very exciting to have been invited to take part in the programme but it’s even more exciting to think that I’ll be able to share a story with you.

Have a great National Storytelling Week!

Festival list 2018

Last year I visited a couple of festivals.  This summer I’m visiting a few more…

28th April 2018 – Arts 4 All 2018 (Henley in Arden)

13th May 2018 – Barnes Kids Lit Fest 2018 (Barnes, London)

9th June 2018 – Eye Open Gardens (Eye, Suffolk)

14th June 2018 – Broadway Arts Festival 2018 (Broadway, Cotswolds)

24th June 2018 – The Big Marlarkey 2018 (Hull)

30th June 2018 – Bradford Literature Festival 2018

24th July 2018 – Brentwood Children’s Literary Festival 2018

Some of these events I’ve done before some of them are completely new to me.  Some are very local affairs, some are regional if not national events.  I’m very excited to be included in all of them.

I hope to see you there!

My work in special educational needs (SEN) environments

The first time I really worked with young people who were considered to have special educational needs (SEN) was through a theatre company in London.  We worked with a very small group for 6 weeks before the participants delivered their project at a local theatre.  I don’t mind admitting that this was a very steep learning curve and at times I was out of my depth but by watching the other tutors and facilitators and by working with rather than against the children I got through it.

Since then I have been privileged enough to share stories with young people with profound physical, learning and behaviourial needs in places like Andover, Bridlington, Chelmsford, Harlow, Milton Keynes and Newcastle.  Each time the experience has been hugely challenging and deeply moving.

I have had some really rewarding experiences in special educational needs environments and often find that the staff and children greet me with a warmth and openness which is refreshing.  Sometimes the work I’ve delivered has been more or less what I’d deliver anywhere else and sometimes I have planned and delivered sensory stories (a story in which the individual engages with a story through their senses – smell, touch and taste as well as the more usual sight and sound).  Preparing a sensory story really challenges me.  Its very stimulating to reevaluate even the most simple story in terms of sensual opportunities and accessibility.

I think that my success (if I have been at all successful) in SEN environments can be put down to a few things:

  • I do a lot of preparation work (particularly if I am delivering a sensory story).
  • I have a highly visual, energetic style of delivery.
  • I place a lot of importance on striking a rapport with the group so that everybody feels welcome, safe and included.
  • I try to be adaptable and always expecting the unexpected.
  • I treat everybody the same irrespective of their perceived disadvantage.

I just wanted to explain what my last point means.  Some of the young people I meet have things going on that many of us could not imagine living with but they don’t need or want my pity.  I try to work with the young person not their condition; yes, of course I respect their conditions but if I don’t respect them as individuals then my delivery will fall flat.

Equal opportunities and accessibility is something we should be conscious of when we run sessions.  Be it allowing blind or autistic children to feel the props before or after a story to enhance their understanding or simply wearing a transmitter so a deaf child can hear or making it possible for a wheel chair user to volunteer I have seen how small adjustments can make big differences.  I am still learning a lot and I pick up new techniques all the time but my experiences mean that I certainly I feel a lot more confident when I deliver work for children with special educational needs.

In some ways “special educational needs” is a very cold one-size-fits-all term for a group of people with a wide range of talents and abilities.  Some of my favourite days have been working in SEN environments.  I would thoroughly recommend the experience to any arts practitioner and it is definitely work I’ll be looking to do more of in the future.

My work with museum and heritage services

Back in 2009 my father put me up to writing a show for the National Trust.  So I gave it a go.  I wrote a one man presentation based around the premise of a carnival sideshow quack called Professor Montague Rumpleseed Drake in which I promised to demonstrate to the audience when the best era of history to live was.  In a 30 minute presentation I’d peel back the layers of time until we came to the conclusion “we’ve never had it so good!”.  When I look back on it, this initial piece was by no means perfect (for one thing I used to cart a small cupboard all over London tied to a shopping trolley!) but what I latched onto was the idea that children have short attention spans so I had to be constantly looking for ways to change things up.  The Professor never darkened the door of a National Trust property but he became the first of many attempts to communicate thousands of years of history to young audiences.

The Professor and his time travelling machine allowed me to showcase my ability and led to museums in Hackney, Haringey, Southwark and Bromley inviting me to run workshops for them and to write other presentations.  During the Olympics I worked with Hackney Museum to deliver an outreach presentation to school children about change in the local area.  Ever ambitious in 30 minutes I tore through 30,000 years of history!  I structured this presentation in much the same way that I’d structured the Professor’s shtick three years earlier but without a bowler hat and  lab coat and with added elements of participation.

Spin on again to 2014 and the commemoration of The Great War.  This time it was Redbridge Libraries looking for a way to enhance their pop up library events.  I had done a few bits and pieces with Redbridge and they asked for something for adults and I gave them something for children (oops!).  Again this was borough specific and instead of 30000 years we were looking in detail at just four and this time I incorporated elements of participation and roleplay into 40 minutes exploring Redbridge’s home front.  The Great War didn’t just open doors in Redbridge; in 2014 I developed sessions for Hackney and Vestry House Museum, each time cherry picking what had worked elsewhere and doing it again.

Now to the present day.  I have been working with Vestry House Museum for four years.  We have developed workshops about The Great War, the Walthamstow Workhouse, Crime and Punishment and Roman Waltham Forest.  I have developed a formula that works for the children of Waltham Forest and the feedback on our latest sessions (the Romans) has been beyond my wildest expectations.

As part of my work with the Vestry House I have gone full circle and find myself telling the story of another London borough with a view to building relationships between the museum and schools.  Between now and May I’ll be visiting 16 Waltham Forest Primary Schools, meeting hundreds of children and sharing the story of the place they call home.  My latest dash through history covers 2000 years; from the Romans to the present day.  We interview a Roman, play a multiple choice game with the Anglo Saxons, learn a Tudor inspired dance, debate moral dilemmas in the 18th Century and learn new languages in the 20th Century.  Its a lot of fun and I hope it inspires some more children and schools to visit Vestry House Museum.  For me it represents nearly a decade of work.  I feel comfortable doing it and I am still loving sharing the story of how London has developed after all these years.

Its a strange thing to spend so much of your time working in isolation so whenever I work regularly with museums and libraries I enjoy the feeling of being a part of a team.  I owe London’s museum services a great debt after all had it not been for the staff of the Hackney Museum who encouraged my madness and supported me when I went wrong I’d probably still be working in as an office administrator and these days its the team at Vestry House who put up with my daft ideas.

The person I find that I have to thank the most for my rollercoaster ride into the wild west of heritage services is not Professor Montague Rumpleseed Drake but my Dad.  He and my Mum may not be completely comfortable with some of my life choices but it’s been their faith in me that’s pushed me to be more than a jobbing actor and office temp and for that I am very grateful.  Verity is now a year old and there are likely to be big changes over the next few months and years but if I’ve learned one thing from working in museums and heritage services its that whilst none of us can accurately predict the future you can have an awful lot of fun trying to make sense of it once its in the past!

A perfect storm..

Sometimes everything just comes together perfectly – the audience, the environment, the stories – it’s almost like everybody wants it to be really good and last week it really was.  This is the feedback I received from one of my National Storytelling Week sessions:

“A sensational performance delivered to nearly 400 children. They were engaged, enthralled and completely overwhelmed by the experience. They loved it!”

It was a genuinely lovely morning that will live long in my memory.  I told a ghost story (A GHOST story!)  to nearly 250 children and you could have heard a pin drop.  Why do I tell stories?  For moments like that.